Santa Barbara Daisy

I have these plants all over the place. They are very successful self-seeders.

Printing the Ballerina image

This is an example of the way the images were printed.

First the solid colors were printed with the final black detail printed last.

This is after the green and pink plates were printed. It's ready to print the yellow.
The yellow plate just been printed.

Now it is ready to print the black detail plate.

The black has just been printed. You can see the plate in the bed of the press.

The board shear moves in

For Mother's Day my wonderful son and husband brought the board shear into the print shop/bindery/living room. Notice how the feet are bolted to the moving dollies and how they jack it up to raise it over the threshold. A very heavy and awkward piece of equipment is moved with very little drama thanks to Jonathan's genius equipment moving skills.

The bindery equipment has arrived!

This morning the bindery equipment arrived. We were very relieved that the delivery man was kind enough to put it in the garage rather than just leaving it curbside. This equipment, a Jacques board shear; Challenge guillotine and a Hickok job backer, was paid for by the Investing in Artists grant I received from the Center for Cultural Innovation. The next step will be to get it into the living room/print shop bindery.

The making of A Reason of Water

New from Pie In The Sky Press

Barbara Maloutas’ poem A Reason of Water is a poetic and visual exploration of the poet/book artist as archivist. Practical Housekeeping, a 1883 publication that holds tried and true recommendations covering everything from the latest household gadgets to instructions on how to revive a drowning victim, provides some of the words and phrases in the lyrical prose poems.

The “cuts” (illustrations) from Practical Housekeeping that occasionally migrate into the pages are rendered as abstracted forms along with the text of the poems and pulled phrases. The objects are lightly used and repetitious enough to suggest the playfulness of the modern woman who might do well to learn some of the determination, craft and skill of a plucky 1883 housewife (to whom Practical Housekeeping is dedicated). Pulling words or phrases from the poems is a way to create interest and hierarchy on the page and with the very non-hierarchical poems and provide another method of working and presenting a new archive.

The book was designed, letterpress printed and hand bound by Rebecca Chamlee at Pie In The Sky Press on Rives Heavyweight paper using photo polymer plates, various wood type with the water textures cut from linoleum. The binding is a 20-page drumleaf sewn-board binding, with the boards covered in paste paper made by the binder. The edition is 30 signed and numbered copies with six hors de commerce copies and several artist’s proofs. A limited number of printer’s proofs were left in sheets for book binders.

The text typeface is Emigre Tribute, by German type designer Frank Heine, a Renaissance Antiqua revival. Its archaic and slightly rough feel mimics the quality of the typography and reproduction of Practical Housekeeping, where words, phrases and imagery were found.

One by One Craft in America